Billy Cobham - The Art Of Three -2001- -eac-flac- ((hot))

The concept is deceptively simple: reinterpret standards and originals through the lens of a drummer-led trio, where Cobham’s polyrhythmic genius doesn’t overwhelm but propels the harmonic conversation.

Known for his ambidextrous speed and polyrhythmic complexity, Cobham shifts gears here, showing a "painterly" touch on the cymbals while maintaining his signature propulsive energy.

Released via In+Out Records (Germany) and Blow it Hard Records (UK). www.jazzmessengers.com

Instead of competing for the spotlight, these three virtuosos deliver a masterclass in spatial awareness, collective improvisation, and restraint. Track Highlights and Musical Dynamics Billy Cobham - The Art of Three -2001- -EAC-FLAC-

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: Acts as a "harmonic dynamo," offering inventive accompaniment and imaginative solos that bridge the gap between rhythm and melody.

Using EAC ensures that the digital rip is an exact, bit-perfect copy of the physical CD, avoiding read errors and preserving the precise dynamics of the recording. The concept is deceptively simple: reinterpret standards and

Explain the for getting the best rip with EAC

The album features a mix of timeless jazz standards and original compositions, reimagined through the unique lens of this specific trio.

For audiophiles and collectors, this specific "EAC-FLAC" version refers to a lossless digital rip of the original CD, ensuring the "warm and soft" acoustic sound of the live performance is preserved. The original mixing and mastering were handled by Blaise Grandjean at Studio Paudèze II in Switzerland, capturing the "in the room" feel of the 2001 tour. Composer(s) Stella By Starlight Washington / Young Autumn Leaves Kosma / Mercer / Prévert Ron Carter Bouncing With Bud Bud Powell 'Round Midnight Hanighen / Monk / Williams And Then Again Kenny Barron I Thought About You Van Heusen / Mercer Someday My Prince Will Come Morey / Churchill Data sourced from Using EAC ensures that the digital rip is

Billy Cobham (drums), Ron Carter (bass), Kenny Barron (piano) Genre: Jazz / Acoustic Trio Release Year: 2001

: A spry opening where Cobham masterfully transitions from brushes to sticks. : A tender original composed by Ron Carter. And Then Again : A lively bop-styled piece written by Kenny Barron. 'Round Midnight

– 7:32 (Waltz turned inside out. Cobham shifts time signatures without breaking the lyrical spell.)

Joining him are two of the most recorded and respected musicians in jazz history:

Norris, an understated master of bebop and harmony, holds the center with crystalline touch and unpredictable reharms. He’s the quiet storm Cobham orbits around.