: The film features adult superstar Rocco Siffredi as the "Ape Man/John" alongside his real-life partner Rosa Caracciolo as Jane. Their genuine chemistry became a defining feature of the production, driving the film's intense romantic and physical focus.
Have you actually seen this movie? Did you rent it from a Blockbuster in 1996? Let me know in the comments—I need to know I’m not alone.
While mainstream critics routinely ignored or dismissed explicit animated parodies of this nature, Tarzan: The Shame of Jane secured a dedicated niche audience. tarzan shame of jane 1995
It’s bad. Like, really bad. But if you love jungle adventure, unintentional comedy, and wondering “how did they get away with that?” — it’s a must-see.
The film utilizes bright, high-contrast saturation typical of standard VHS-era cartoon transfers, emphasizing lush greens, deep earth tones, and vibrant character outfits. : The film features adult superstar Rocco Siffredi
The film's plot cleverly mirrors the classic Tarzan narrative while adding its own unique (and adult) twists. Jane, a socialite on an African expedition, falls into a trap set by the wild "Ape Man" (Tarzan) and awakens to find herself at his feet.
Are you researching this film for its , or Did you rent it from a Blockbuster in 1996
| Aspect | Details | | :--- | :--- | | | 1994 (Released 1995) | | Director | Joe D'Amato (Aristide Massaccesi) | | Leads | Rocco Siffredi (Tarzan/Apeman), Rosa Caracciolo (Jane) | | Supporting Cast | Nikita Gross, Attila Schuszter, Swetta Silvestru | | Running Time | 98 minutes | | Filming Location | Kenya |
Released on June 16, 1995, the movie serves as an adult adaptation of Edgar Rice Burroughs' classic jungle tale. It became highly famous within 1990s exploitation cinema due to its high production values, on-location shooting, and a highly publicized real-life romance between its lead actors. Key Production Facts
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(the creator of Tarzan) unsuccessfully attempted to sue the production for copyright infringement. Genre Legacy: It is often discussed by film historians like those on Letterboxd