The film follows a group of self-destructive, affluent teenagers (Math, Marie, Pacman, JP, and Guillaume) who spend their days skateboarding at the Trocadéro plaza, behind the Palais de Tokyo modern art museum. Their lives revolve around skateboarding, drugs, casual sex, and filming each other with their phones. When the group stumbles upon escort advertisements online, they see an opportunity for quick money and begin selling their bodies to older men and women to fund their hedonistic lifestyles. What starts as a game quickly spirals into a world of paid gratification, humiliation, and self-destruction.
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Beautifully captures the architecture and energy of Paris. The film follows a group of self-destructive, affluent
Unlike Kids , which relied on face-to-face encounters and street-level word-of-mouth, The Smell of Us is deeply informed by the smartphone era. The characters constantly document themselves. They live through screens, using the internet to arrange casual encounters, monetize their youth, and escape emotional intimacy. Youth as a Currency What starts as a game quickly spirals into
Critics accused the film of being nihilistic, voyeuristic, and repetitive, arguing that Clark’s shock tactics had grown stale in the 21st century.
The film holds a respectable rating on various review platforms, with many praising its original storytelling and performances. On Rotten Tomatoes, for example, The Smell of Us has a solid score, reflecting its positive critical reception.