Flac Repack — M83 - Hurry Up- We--re Dreaming -2011-

Lossless; 16-bit/44.1kHz (standard CD rip) or 24-bit (high-resolution versions) Total Length: 73:20 Producer: Justin Meldal-Johnsen and Anthony Gonzalez Tracklist Overview

| Aspect | Detail | |--------|--------| | | CD master (not the 2013 vinyl remaster, which has different dynamics) | | Sample Rate | 44.1 kHz (perfect for the original digital master – no hi-res version exists from source) | | Bit Depth | 16-bit (flat transfer; no upsampling) | | Codec | FLAC level 5–8 (common scene releases use -8 for smaller size) | | AccurateRip | CRC matches original pressing (e.g., Discogs ID: 3144095) |

Happy listening!

| # | Title | Length | |---|---|---| | 1 | "Intro" | 5:22 | | 2 | "Midnight City" | 4:03 | | 3 | "Reunion" | 3:55 | | 4 | "Where the Boats Go" | 1:46 | | 5 | "Wait" | 5:43 | | 6 | "Raconte-moi une histoire" | 4:04 | | 7 | "Train to Pluton" | 1:15 | | 8 | "Claudia Lewis" | 4:31 | | 9 | "This Bright Flash" | 2:23 | | 10 | "When Will You Come Home?" | 1:23 | | 11 | "Soon, My Friend" | 3:09 |

Hurry Up, We’re Dreaming is the bridge between 2000s indietronica and 2010s synthwave revival. Its FLAC preservation matters because the album was – not as a loudness-war brickwall, but as a layered dreamscape where distortion (e.g., intentional clipping on Midnight City ’s drums) is an artistic choice, not a defect. Lossy codecs misinterpret that clipping as “artifacting” and try to smooth it, destroying the intended texture. M83 - Hurry Up- We--re Dreaming -2011- flac

Decades after its release, Hurry Up, We're Dreaming remains a benchmark for electronic music production. It proved that electronic music could carry the emotional weight, narrative scale, and sonic depth of a classic rock opera.

: A whimsical track where a young girl narrates a story about a magical frog that turns everyone into a giant, colorful family. It perfectly encapsulates the album’s fixation on childhood innocence. Lossless; 16-bit/44

The album is littered with interludes like where a young girl tells a whimsical story over an evolving electronic backdrop, and "Echoes of Mine." These tracks rely on subtle tape hisses, panning echoes, and delicate keyboard decay. The lossless nature of FLAC ensures these fragile textures aren't swallowed by compression artifacts. 3. Bass Definition and Punch