Gorillaz Discography -2000-2010- 6 Albums- 14 Singles- 136 Songs [exclusive] Jun 2026
A dark, driving electro-funk single featuring Bobby Womack and Mos Def; video starred Bruce Willis. "Superfast Jellyfish" Plastic Beach
A massive double-disc compilation providing an anthology of the rare b-sides, audio experimentations, and extensive dance club remixes born from the creative peak of the Demon Days era. 6. Plastic Beach (2010)
Album 4: Plastic Beach (2010) – Singles: 5 – Songs: 16
When Blur frontman Damon Albarn and comic book artist Jamie Hewlett conceived in a London flat in 1998, few could have predicted that a fictional cartoon band would become one of the most influential musical projects of the 21st century. By subverting the traditional visual and sonic boundaries of pop music, the virtual quartet—consisting of 2D, Murdoc Niccals, Noodle, and Russel Hobbs—pioneered a genre-fluid ecosystem.
Between the years 2000 and 2010, Gorillaz didn't just release music; they built a universe. In a pre-streaming era defined by MTV and physical CDs, Damon Albarn and Jamie Hewlett blurried the lines between visual art and sonic experimentation. A dark, driving electro-funk single featuring Bobby Womack
The foundation of the Gorillaz discography during this decade consists of three core studio masterpieces, accompanied by essential B-side compilations, remix projects, and an experimental travelogue. Album Title Release Year Album Type Core Dynamic / Soundscape Studio Album Lo-fi alternative rock, trip-hop, and dub punk G-Sides B-Side Compilation Raw early tracks, demos, and international remixes Laika Come Home Dub Remix Album Reggae, space-dub reinterpretations by Spacemonkeyz Demon Days Studio Album Dark pop, gospel, hip-hop, and apocalyptic disco D-Sides B-Side Compilation Experimental leftovers, unreleased gems, and dance remixes Plastic Beach Studio Album Orchestral synth-pop, environmental rap, and world music 1. Gorillaz (2001)
"Superfast Jellyfish" (2010) – A colorful, satirical critique of commercialism featuring De La Soul and Gruff Rhys.
Widely considered the band's masterpiece, Demon Days moved away from the lo-fi hip-hop of the debut toward a polished, cinematic pop sound. Produced by Danger Mouse, the album acts as a dark, apocalyptic concept album dealing with environmental decay, war, and false idols. It is the commercial and critical peak of the band's 2000–2010 run. 5. Plastic Beach (2010)
: A more experimental, electronic album recorded by Damon Albarn on an iPad during the Plastic Beach tour. The Key Singles Plastic Beach (2010) Album 4: Plastic Beach (2010)
The period from 2000 to 2010 laid the foundational blueprint for modern pop music. Long before Spotify playlists made genre-blending standard practice, Gorillaz proved that hip-hop, indie rock, electronic dance, and world music could coexist harmoniously under one conceptual umbrella.
The project served as a playground for underground and mainstream rap heavyweights, including MF DOOM ("November Has Come"), Roots Manuva ("All Alone"), and Snoop Dogg ("Welcome to the World of the Plastic Beach").
A gorgeous, melancholic ballad released as a double A-side with "Dirty Harry," crucial to the ongoing animated storyline.
Widely considered the band's magnum opus, Demon Days was produced alongside Danger Mouse. The album is a dark, cinematic concept record dealing with global political turmoil, environmental degradation, and spiritual isolation. It masterfully integrated massive collaborations—ranging from MF DOOM and De La Soul to a full gospel choir—resulting in a multi-platinum masterpiece. 5. Plastic Beach (2010) In a pre-streaming era defined by MTV and
A double A-side release. "Kids with Guns" offered a driving, hypnotic look at youth violence, while "El Mañana" delivered a gorgeous, heartbreaking acoustic-electronic ballad.
A double A-side release, exploring themes of innocence and loss. 3. The Environmentalism Era: "Plastic Beach" (2010)
Recorded entirely on an iPad during the North American Plastic Beach tour. Murdoc, drunk and exiled, made 2-D hum into a hotel pillow. “Revolving Doors” (Single #14: a train loop from hell) was the only promotional track. The album’s 15 songs—from “Phoner to Arizona” to the ambient “Seattle Yodel”—were less an album than a diary of a nervous breakdown. Total songs: .
The catalog stretched far beyond Western pop, incorporating the Lebanese National Orchestra for Oriental Arabic Music ("White Flag") and the Ibrahim Ferrer of the Buena Vista Social Club ("Latin Simone").
Analyze the used by Dan the Automator, Danger Mouse, and Albarn.
