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Look for negative space —a misty morning lake, a snow-covered field, a dark canyon wall. By isolating an elephant on a bare horizon or a heron against a black water void, you stop being a photographer and start being a printmaker. You are defining the animal by what isn't there. Can’t copy the link right now

I've been doing some reading recently about the origins and history of photography – particularly wildlife photography, of course. www.wildfocus.org Why I Love Wildlife Photography - Londolozi Blog